At the center of the evening, the popular Sonata for cello and piano no. 3 by Ludwig van Beethoven, the first in which the great composer assigns an equal role
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At the center of the evening, the popular Sonata for cello and piano no. 3 by Ludwig van Beethoven, the first in which the great composer assigns an equal role to both instruments, and the Cello and Piano Sonata no. 1 by Alfred Schnittke, one of the most heartbreaking and turbulent compositions of the great creator of the 20th century. Konstantinos Sfetsa and Stefanos Thomopoulos’ selections for their concert program at the Megaro also include Antonín Dvorák’s melodic Rondo in G minor, better known mainly from its orchestral version, and Pezzo capriccioso in B minor by Pyotr Ilyich Tchaikovsky, representative work of high virtuoso demands of European Romanticism.
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